Patrick Jézéquel reviews the three concertos — Zimmermann’s Nobody knows de trouble I see, Eötvös’s Jet Stream and Gruber’s Aerial — recorded with the Sinfonia Varsovia under Wilson Hermanto. He hears Ives behind the inward Zimmermann, finds the Eötvös more theatrical with its three trumpets placed in space, and singles out the colours and swing of Gone Dancing in the Gruber.